Registry
Module Specifications
Current Academic Year 2012 - 2013
Please note that this information is subject to change.
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| Description | |||||||||||||||||||||||||||||||||||||||||
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This module is a natural progression through from 2nd year elective Radio studies and places an emphasis on the range - scope - research -creativity aural Imagination and technicalities necessary to expand the students understanding of the world of radio making. The module will also prepare and educate the students for the challenge of completing a Radio Thesis documentary/feature for broadcast. Prominence will be placed on Radio Features/Documentaries/Radio Drama/Documentary as fact/truth and Feature as free/form will be identified and outlined using structure - form - content and delivery - and the consistency of the perceived structure. Concentration will be also placed on planning - research - and structure. The module will open up the range and diversity of radio at a greater depth, examining Writing for Radio at an advanced level and differentiating between creative writing, narrative spine and dramatic writing. Techniques of writing of a radio play and an exploration of radio drama will be looked at as a to the discipline of which uses sound alone to achieve its effects. The module will also study and analyse the challenge of the in-depth Radio Interview. | |||||||||||||||||||||||||||||||||||||||||
| Learning Outcomes | |||||||||||||||||||||||||||||||||||||||||
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1. Display advanced ability in studio operational/production/audio editing 2. Critically analyse broadcast interviews/broadcast standards/world of radio 3. Make an effective live professional studio broadcast. 4. Write imaginatively and functionally for the aural medium 5. Illustrate an in-depth radio interview. 6. Construct and build a radio Documentary/Feature. | |||||||||||||||||||||||||||||||||||||||||
All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml |
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| Indicative Content and Learning Activities | |||||||||||||||||||||||||||||||||||||||||
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ATTENDANCE COMPULSORY. MAXIMUM NUMBER OF STUDENTS - 22. Course Content. The Radio as constant Revolution. Stations - local-national-international-private-public-commerical. Documentary and Feature Programmes - The Art of telling a Story. Planning-research-content-style-delivery. Music - soundscape-sequence-editing-beginning-middle-end. Contributors. Imagination-creativity-fact-truth-impression-time. The ending.. Sound effects - The aural imagination. Theatre backdrop for the ear. Sound as language - sound scape - lack of boundaries. Sound and association. Sound - convention and meaning. Background sound. Characteristics of sound making devices - wild track - live - pre-recorded.. Music. Overall style - mood - time - emotion - place. Research. Music library. Matching music - the correct tune - melody-style - reason - timing. Editing - fading - volume.. Role and Purpose of the in-depth interview. Interviewing techniques. Technical. Before, during and after. Research. Question technique - choosing-framing. Verbal non verbal communication. Listening - silence. Analysis. Editing - presenting.. Radio Drama. Techniques. Narrative - dramatic form. Visual - aural drama. Language of radio play. Expressing in a new medium. Theme - plot - characters. Ideas. Sound effects - music. Construction - casting. Production.. | |||||||||||||||||||||||||||||||||||||||||
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| Indicative Reading List | |||||||||||||||||||||||||||||||||||||||||
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| Other Resources | |||||||||||||||||||||||||||||||||||||||||
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| CS | BA in Communication Studies | ||||||||||||||||||||||||||||||||||||||||
| Timetable this semester: Timetable for CM304 | |||||||||||||||||||||||||||||||||||||||||
| Date of Last Revision | 01-FEB-12 | ||||||||||||||||||||||||||||||||||||||||
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