Registry

Module Specifications

Current Academic Year 2012 - 2013
Please note that this information is subject to change.

Module Title	Screenwriting
Module Code	CM531
School	School of Communications
Online Module Resources
Module Co-ordinator	Semester 1: Roderick Flynn Semester 2: Debbie Ging
Module Teacher	Patrick Kinsella
NFQ level	8	Credit Rating	5
Pre-requisite	None
Co-requisite	None
Compatibles	None
Incompatibles	None

Description

The course explores screenwriting in its various forms. The form and structure of feature films and short films are studied and analyzed. The course assignment (writing an original short film script) enables students to discover a story they want to tell in their own unique style using various writing assignments, screenings of films, and story telling. The emphasis is on creating visual, cinematic pieces of work.The process of developing a script prepares students for future employment in writing for film and television, script development or production as well as aiding their understanding of the role of the script in film in academic studies.

Learning Outcomes

1. Understand the visual nature of screenwriting
2. Write a cinematic short film
3. Develop screenplays for either film or television production
4. Explain the narrative structure of both Hollywood and Art House films
5. Analyse and criticise completed scripts in a constructive manner

Workload	Full-time hours per semester
*Type*	*Hours*	*Description*
Lecture	44	No Description
Assignment	60	The nature of screen-writing means that the best way to learn is to do. Hence students are constantly revisiting the material that will form the basis of their final submitted screenplay.
Independent learning time	21	No Description
Total Workload: 125

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

Lecture 1.
Introduction to screenwriting in general and the short film in particular. What makes a short different from feature films? What are the qualities of a good short? The visual nature of the short film will be explored..

Lecture 2.
Story, the nature of the beast. What are the possible sources of story? Can your story be original? The source and use of mythology and fairy stories in cinema..

Lecture 3.
Story continued. Other sources of stories - real life stories, personal experiences. The process of developing an idea into a script. Look at action and plot. Conflict. How to bring an idea to an outline to a treatment to step outline to script. Breakdown of the dramatic scene..

Lecture 4.
Structure. The classical three act structure. Turning points and pinch points. Can we apply this to the short film form.

Lecture 5.
Character. The transformational arc. Use of Voiceover. Watch The Squid and The Whale..

Lecture 6.
Character - how to develop it for a short film? How to create a rounded character in ten minutes? Goal and motivation..

Lecture 7.
Structure continued. The beginning. Where to start your script? Dramatic openings. Act One development. How to set up your story, main character, the central drive and engage an audience. The catalyst or inciting incident. Sound and how to use it dramatically..

Lecture 8.
Dialogue. Subtext.Genre and the short film. Alternative forms of screenwriting – the minimalist script.Homework - First draft of screenplay..

Lecture 9.
Act 2. How to keep the drama moving? Look at revisions of first draft. Class discussion.

Lecture 10..
Act 3. The finale. The climax..

Lecture 11.
Script workshop..

Assessment Breakdown
Continuous Assessment	100%	Examination Weight	0%

Course Work Breakdown
Type	Description	% of total	Assessment Date
Other	Continuous exercises and homework(including treatments etc of final original script)	45%	n/a
Other	Final submitted script	45%	n/a
Oral presentations	Class attendance and participation	10%	n/a

Reassessment Requirement
Resit arrangements are explained by the following categories; 1 = A resit is available for all components of the module 2 = No resit is available for 100% continuous assessment module 3 = No resit is available for the continuous assessment component
This module is category 1

Indicative Reading List

Aristotle (translated with an introduction and notes by Malcolm Heath): 1996, Poetics, Penguin Books, London, 0140446362
Pat Cooper and Ken Dancyger: 1994, Writing the short film, Focal Press, Boston, 0240801652
Linda Seger: 1994, Making a good script great, Samuel French Trade, Hollywood, 0573699216
Syd Field: 2005, Screenplay, Delta Trade Paperbacks, New York, N.Y., 0385339038
Christopher Vogler: 2007, The Writers Journey: Mythic Structure for Writers, 3rd, Michael Wiese Productions, 193290736X
Viki King: 1988, How to write a movie in 21 days, Perennial Library, New York, 0062730665

Other Resources

None

Array

Programme or List of Programmes

MMM

MSc Multimedia

MTV

MA in Film and Television Studies

Timetable this semester: Timetable for CM531

Date of Last Revision

08-OCT-10

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