Registry
Module Specifications
Archived Version 2011 - 2012
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| Description | |||||||||||||||||||||||||||||||||||||||||
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This module focuses on Renaissance poetry, Shakespearean drama, as well as examining writing in Ireland in the 1500s, in the historical and political context of Renaissance Britain and Ireland. | |||||||||||||||||||||||||||||||||||||||||
| Learning Outcomes | |||||||||||||||||||||||||||||||||||||||||
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1. Explain how the main features of Renaissance history, culture,religion and, in particular, the principal ideas of humanism informthe context in which sixteenth-century English writers worked 2. Judge how a range of literary and non-literary texts are informedby contemporary ideologies relating to power, politics and genderthrough the application of literary-critical reading strategies 3. Evaluate the art and uses of poetry by Skelton, Wyatt, Surrey,Sidney, Marlowe, Ralegh, Spenser, Shakespeare and others in relationto what they imply about language, translation, representation,identity and self-fashioning 4. Explore the complex relationships between poetry and national andsexual politics in the Elizabethan epic, Spensers Faerie Queene 5. Critique how the performance of the drama both in and outside thetheatre could be manipulated in order to promote and perpetuatecultural, political and sexual assumptions in plays by Shakespeare,Elizabeth Cary and others 6. Assess the relation of fantasies of the ideal state to thecontemporary practical problem of colonizing Ireland in a selection ofprose works, including Mores Utopia and Spensers View of the PresentState of Ireland | |||||||||||||||||||||||||||||||||||||||||
All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml |
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| Indicative Content and Learning Activities | |||||||||||||||||||||||||||||||||||||||||
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Unit 1: Introduction to Terms and Key Concepts. Unit 2: Methodologies and Critical Approaches. Unit 3: Introduction to Humanism. Unit 4: The Reformation and The Bible. Unit 5: Functions of the Literature of Henry VIII's Court. Unit 6: Poetics and the Functions of Poetry. Unit 7: Writing the Elizabethan Epic I. Unit 8: Writing the Elizabethan Epic II. Unit 9: The Englishing of Petrarch. Unit 10: Shakespeare's Sonnets. Unit 11: Poetry and Gender Politics: The Case of Aemilia Lanyer's Salve Deus Rex Judaeorum. Unit 12: A Midsummer Night's Dream: Pastoral, Power and Reigning Queens. Unit 13: Othello. Unit 14: Drama and Domestic Politics: Elizabeth Cary's Mariam. Unit 15: The Jew of Malta: Christopher Marlowe's Theatre. Unit 16: The Merchant of Venice, Money and Representations of the Other. Unit 17: Antony and Cleopatra: Shakespeare's Romans: Power, Politics and Gender. Unit 18: John Webster's The Duchess of Malfi. Unit 19: Ben Jonson's Volpone. Unit 20: John Donne and Metaphysical Poetry. Unit 21: Herbert, and Poetry and Donne. Unit 22: The Renaissance: Summary and Conclusions. | |||||||||||||||||||||||||||||||||||||||||
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| Indicative Reading List | |||||||||||||||||||||||||||||||||||||||||
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| Other Resources | |||||||||||||||||||||||||||||||||||||||||
| None | |||||||||||||||||||||||||||||||||||||||||
| Programme or List of Programmes | |||||||||||||||||||||||||||||||||||||||||
| BA | Diploma/BA in Humanities | ||||||||||||||||||||||||||||||||||||||||
| BAEH | Diploma/BA in English & History | ||||||||||||||||||||||||||||||||||||||||
| BASM | BA Single Module | ||||||||||||||||||||||||||||||||||||||||
| Timetable this semester: Timetable for LIT4 | |||||||||||||||||||||||||||||||||||||||||
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