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Concepts Section  

Visual Variety: FAS Training Movie

Thanks to: FAS Tallaght & all participants
Producer: William Tuke
Duration: 1 min. 48 secs.
Note: No audio track

   

File size: 8.9MB Image Quality: High

When shooting documentary style footage, it is important to also plan for visual variety. Although the above video is only one minute and forty eight seconds in duration, it nevertheless contains fifty-five different shots. The shots themselves vary in type from WS (wide shot) to CU (close up), from HA (high angle) to LA (low angle). There is also a POV (point of view) shot where a trainer and trainee are discussing a piece of work. The camera records two mid-shots from opposing sides, giving alternate points of view. Note the mixture of one/two/three-person and group shots. In some scenes people are framed both for foreground and background positioning in order to add depth. Likewise with some machinery shots.

General audiences can find 'talking heads' boring, unless the subject matter is of particular importance to them. This is fine for niche audiences, but otherwise it is necessary to keep the audience engaged, not just with the subject matter but visually. Visual variety adds interest, which can only help your production.

 


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Build an Outline
The ‘Recce’ or
Reconnaissance


Types of Shot
Advantages and
disadvantages of the
WS, MS and CU
Camera Movement


ECU; VCU; BCU; CU; MCU
VLS; LS; MLS; 3/4; MS


File size = 8.9MB
N.B. QT 7+ required


Using a Zoom Lens
Depth of Field


Advantages
Scenario


Treatment
Shot List
Shooting Script


Breakdown
Shot List


Short Bibliogra