12th Irish Screen Seminar Series
12th Irish Screen Seminar Series

12th Irish Screen Seminar Series

12th Irish Screen Seminar Series hosted by Dublin City University

Date: Wednesday May 11th 2016 - Admission Free

Location: Room C114, Henry Grattan Building, Dublin City University, Glasnevin, Dublin 9.

Keynote Speaker – Dr Catherine Grant (Sussex) - ‘Dissolves of Passion’: Materially Thinking through Editing in Videographic Compilation

9.30-11.00am Screen: migration, policy, and practice

  • Panel 1 – Chair Dr Cormac Deane (IADT Dun Laoghaire)
  • Cormac Mc Garry (NUI Galway) Comic books in the digital age: the great screen migration?
  • Maria O’Brien (DCU) Video games in the 2013 Cinema Communication negotiations: A political economic perspective
  • Paul O’Neill (DCU) Practice what we preach: An analysis of tactical media as a form of networked art practice.

11.15-12.45pm Gender, Sexuality and Representation.

  • Panel 2 – Chair Dr Niamh Thornton (Liverpool)
  • Dr Aaron Hunter (Maynooth) Designing Authorship: Polly Platt’s Contributions to the Early Films of Peter Bogdanovich
  • John Moran (DCU) - Beyond Pornification and Sexualisation: Re-Theorising Sexual Representation in Popular Film
  • Dr Abigail Keating (Cork) Framing Intimacy in Todd Haynes's Carol

Lunch 12.45-1.30pm

1.30-3.00pm The Audiovisual Essay

  • Panel 3 – Chair Dr Catherine Grant (Sussex)
  • Tony Patrickson (Galway-Mayo Institute of Technology) Visual Elucidation in Videographic Studies
  • Jamie Hooper (DCU) Alchemy and Dr Who
  • Warren Callanan (DCU) Ex Machina and German Expressionism
  • Paul Kelly (DCU) The Cinema of Attractions

3.15-4.45 Ireland On Screen

  • Panel 4 – Chair Dr Liz Greene (DCU)
  • Loretta Goff (Cork) - Express Shipping Ireland Straight to American TV’S/DVD’s
  • Denis Murphy (DCU) - A Labour history of Irish film and TV production 1958-2015
  • Deirdre Molumby (Trinity College Dublin) - Urban Spatial Practise in Donal Foreman’s Out of Here (2014)

5.15-6.30 KEYNOTE Dr Catherine Grant (Sussex) - ‘Dissolves of Passion’: Materially Thinking through Editing in Videographic Compilation