John O'Flynn
Dr.

To date he has a total of eight books and edited volumes published, and has written numerous peer-reviewed journal articles, book chapters and encyclopaedia entries. As research supervisor/mentor he is involved with several externally funded postgraduate and postdoctoral projects (EI, IRC, MSCA). He has delivered keynote addresses and conference papers in Europe, the Americas and Asia, has acted as external examiner for several institutions in Ireland and the UK, and regularly carries out academic review work and various consultancy roles for Irish, UK and EU agencies.
He curates and promotes concerts at DCU, including the Lunchtime Concert Series since 2016, while from 2013-2021 he managed the annual Fidelio Trio Winter Chamber Music Festival. He is also active as a choral conductor and baritone recitalist.
Book
Year | Publication | |
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2022 | O'Flynn, J. (2022) Music, the Moving Image and Ireland, 1897-2017. London and New York: Routledge. https://doi.org/10.4324/9780203710395 | |
2009 | O'Flynn, J. (2009) The Irishness of Irish Music. Farnham, Surrey: Routledge (Ashgate). | |
2005 | S. Drudy, M. Martin, J. O'Flynn & M. Woods (2005) Men and the Classroom: Gender Imbalances in Teaching. London and New York: Routledge. [Link] https://doi.org/10.4324/9780203420300 |
Edited Book
Peer Reviewed Journal
Year | Publication | |
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2023 | O'Flynn, J. (2023) 'Sound Design and Scores for Troubles-Themed Narrative Features, 1998-2014'. Alpha, . https://doi.org/10.33178/alpha | |
2023 | Moore, G., O'Flynn, J., Burgess, F. & Moore, J. (2023) 'Challenges for Music in Initial Teacher Education: Perspectives from a Community of Practice of Teacher Educators in Ireland and Northern Ireland'. Research Studies in Music Education, . | |
2022 | O'Flynn, J., Moore, G., Burgess, F. & Moore, J. (2022) 'Comparative music education in partnership: examining policy and provision of music in initial teacher education in Ireland and Northern Ireland'. Music Education Research, (24):364-376. https://doi.org/10.1080/14613808.2022.2069234 | |
2019 | O'Flynn, J.; Mangaoang, Á. (2019) 'Sounding Dublin: Mapping Popular Music Experience in the City'. Journal of World Popular Music, 6 (1):32-62. | |
2018 | O'Flynn, J. (2018) 'Alex North's Adapted Score for The Dead (John Huston, 1987)'. American Music, 36 (2):222-243. [DOI] | |
2015 | O’Flynn J. (2015) 'Strengthening choral community: The interaction of face-to-face and online activities amongst a college choir'. International Journal of Community Music, 8 (1):73-92. [DOI] | |
2012 | O'Flynn, J.; Broad, S. (2012) 'Editorial to Special Issue: 'Current Issues in Higher Music Education''. Music Education Research, 14 (1):1-7. | |
2006 | O'Flynn, J (2006) 'Vernacular music-making and education'. International Journal of Music Education, 24 :140-147. [DOI] | |
2005 | O'Flynn J. (2005) 'Re-appraising ideas of musicality in intercultural contexts of music education'. International Journal of Music Education, 23 (3):191-203. [DOI] | |
2002 | John O'Flynn (2002) 'New ways to listen and learn? - Some challenges presented by the revised music curriculum for primary schools'. Irish Educational Studies, 21 (2):89-109. http://dx.doi.org/10.1080/0332331020210212 | |
1990 | O'Flynn, J (1990) 'The Selection and Organisation of Musical Materials for Irish Schools'. Oideas, 35 (1):56-74. |
Book Chapter
Year | Publication | |
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2023 | O'Flynn, J. (2023) 'Jigging around? Music, Comedy and Stereotypes in Irish-themed Film, 1946-1952' In: Palgrave Handbook of Music in Comedy Cinema. Basingstoke, Hampshire and New York : Palgrave Macmillan. | |
2023 | O'Flynn, J. (2023) 'Irish Music (Re-) Defined: The published writings of Mícheál Ó Súilleabháin' In: The Work and Legacy of Mícheál Ó Súilleabháin. Cork : Cork University Press. | |
2023 | O'Flynn, J. (2023) 'A Developing Discourse: Music as Humanities in Higher Education' In: Studies in Irish Music Education 1: Legacies, Conversations, Aspirations. Cork : Cork University Press. | |
2023 | O'Flynn, J. & Flynn, P. (2023) 'Introduction: Music Education for the 21st Century: Legacies, Conversations, Aspirations' In: Studies in Irish Music Education 1: Legacies, Conversations, Aspirations. Cork : Cork University Press. | |
2021 | O'Flynn, J. (2021) ''Heard, not scene? Dublin’s popular music viewed from the inside and outside'' In: Geographically Isolated and Peripheral Music Scenes. London and New York : Palgrave Macmillan. [Link] | |
2020 | O'Flynn, J. (2020) 'Preface' In: Made in Ireland: Studies in Popular Music. London and New York : Routledge. | |
2020 | O'Flynn, J. (2020) '‘“Other Voices” in Media Representations of Irish Music’' In: Made in Ireland: Studies in Popular Music. London and New York : Routledge. | |
2020 | O'Flynn, J. (2020) ''Preamble to Part Two'' In: Made in Ireland: Studies in Popular Music. London and New York : Routledge. | |
2020 | O'Flynn, J. (2020) ''A Selected Bibliography on Irish Popular Music'' In: Made in Ireland: Studies in Popular Music. London and New York : Routledge. | |
2020 | Mangaoang, Á., O’Flynn, J., and Ó Briain, L. (2020) 'Introduction' In: Made in Ireland: Studies in Popular Music. London and New York : Routledge. | |
2020 | O'Flynn, J. (2020) '‘“It feels like home?” Diaspora, transnational groups and a sense of musical belonging through social media’' In: The Oxford Handbook of Social Media and Music Learning. Oxford and New York : Oxford University Press. | |
2019 | Buckley, J.; O'Flynn, J. (2019) 'Introduction' In: Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Dublin/Bern : Carysfort/Peter Lang. | |
2019 | O'Flynn, J. (2019) ''Vocal and Choral Music'' In: Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Dublin and Bern : Carysfort/Peter Lang. | |
2019 | O'Flynn, J. (2019) ''Engagement and Research'' In: Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Dublin and Bern : Carysfort/Peter Lang. | |
2019 | Flynn, P.; O'Flynn, J. (2019) ''Music in Education and Humanities '' In: Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Dublin and Bern : Carysfort/Peter Lang. | |
2019 | O'Flynn, J. (2019) ''The Fidelio Trio Residency'' In: Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Dublin and Bern : Carysfort/Peter Lang. | |
2018 | O'Flynn, J. (2018) ''Alex North, James Joyce, and John Huston's The Dead (1987)'' In: Music Preferred: Essays in Musicology, Cultural History and Analysis in Honour of Harry White. Vienna : Hollitzer. [Link] | |
2018 | O'Flynn, J. (2018) '‘The Sounds of the Suburbs? Experiences and Imaginings of Popular Music in Dublin’' In: Imagining Irish Suburbia in Literature and Culture. London and New York : Palgrave Macmillan. [Link] | |
2016 | O'Flynn, J. (2016) 'Exploring 'African' Music in Dublin: researching intercultural music practice' In: The Routledge International Handbook of Intercultural Arts Research. London and New York : Routledge. | |
2016 | O'Flynn, J. (2016) 'Mapping Popular Music in Dublin' In: In Concert: Favourite Gigs of Ireland’s Music Community. Dublin : Hope Foundation. | |
2014 | O'Flynn, J.; Fitzgerald, M. (2014) 'Introduction' In: Music and Identity in Ireland and Beyond. Farnham, Surrey : Ashgate. | |
2014 | O’Flynn J. (2014) 'Kalfou Danjere? Interpreting Irish-celtic music' In: Music and Identity in Ireland and Beyond. Farnham, Surrey : Ashgate. | |
2012 | O'Flynn, J. (2012) 'Vernacular Music Making and Education' In: Music Education. London and New York : Routledge. | |
2011 | O'Flynn, J. (2011) 'Performance, transmission and identity amongst Ireland's new generation of traditional musicians' In: Learning, Teaching and Musical Identity: Voices from around the globe. Indiana : University of Indiana Press. | |
2008 | O'Flynn J. (2008) 'National identity and music in transition: Issues of authenticity in a global setting' In: Music, National Identity and the Politics of Location: Between the Global and the Local. | |
2005 | O'Flynn, J. (2005) 'A Critical Examination of the Idea of Bimusicality: Its Relevance to Music Education in Contemporary Irish Society' In: The Legacy of John Blacking: Essays on Music, Culture and Society A Critical Examination of the Idea of Bimusicality: Its Relevance to Music Education in Contemporary Irish Society. Perth, Australia : University of Western Australia Press. |
Published Report
Conference Publication
Conference Contribution
Encyclopedia Entry
Professional Associations
Honors and Awards
Committees
Other Activities
Enterprise Engagement
Outreach Activities
Media
Research Interests
Research interests include film music, the sociology of music, popular music, contemporary genres/practices of music in Ireland, intercultural music, music and identity, vocal and choral music, music ethnography, music and tourism, and music in higher education.
His current monograph project is titled Empires of Sound: Music and Colonial Encounters in 20th-Century Narrative Film (contracted with Palgrave Macmillan). He leads the applied musicology project Bridging Musical Knowledge, and is DCU Primary Investigator for IN-VOICE 4 Empowerment, an Erasmus+ funded project with partner organisations from Cyprus, Latvia, Lithuania, Portugal and Spain. He was Principal Investigator for Mapping Popular Music in Dublin, 2015-16, funded by Fáilte Ireland (Irish Tourism). Earlier book publications include the monograph The Irishness of Irish music (Ashgate/Routledge 2009/2017) and the edited volume Music and Identity in Ireland (with Mark Fitzgerald; Ashgate/Routledge 2014/2016). In 2012 he co-edited a special issue on higher music education for Music Education Research (with Stephen Broad, Royal Scottish Conservatory). He has presented conference papers and keynote addresses in Ireland, Australia, Austria, Brazil, Canada, China, Cyprus, Germany, Greece, Hungary, Italy, Lithuania, Netherlands, Norway, Portugal, UK and US. In July 2004 he convened the biennial conference of the UK and Ireland branch of IASPM (International Association for the Study of Popular Music), and in July 2009 he chaired the 6th International Symposium on the Sociology of Music Education in Limerick. He also chaired the high profile Music Education Gathering in Dublin 2013 leading to the forthcoming inaugural volume of Studies in Irish Music Education, for which he is series editor. In 2016 he chaired the 14th Annual Plenary Conference of the Society for Musicology in Ireland (SMI) at DCU. He convenes DCU's Music Research Seminar Series, was a member of the organising committee for the joint SMI/ICTM-IE Postgraduate Conference at DCU (online) in January 2022, and symposium chair for 'Music for Stage and Screen: Celebrating the SMI at 20' at the National Opera House, Wexford in March 2023.
Recent publications include the monograph Music, the Moving Image and Ireland, 1897-2017 (Routledge, 2022), the co-edited books Ceol Phádraig: Music at St Patrick's College, 1875-2016 (with John Buckley; Peter Lang, 2019) and Made in Ireland: Studies in Popular Music (with Áine Mangaoang and Lonán Ó Briain; Routledge, 2020), a chapter on Dublin popular music scenes in Geographically Isolated and Peripheral Music Scenes: Global Insights and Perspectives (ed. C. Ballico; Palgrave Macmillan, 2021), and a chapter on social media, diaspora and musical belonging in the Oxford Handbook of Social Media and Music Learning (eds. J. Waldron, S. Horsley & K. Veblen; OUP, 2020).
Associated Postdoctoral Fellows
Dr Jelena Gligorijevic, 2022-2024 (MSCA); Dr Kayla Rush, 2019-2022 (MSCA); Dr Donal Fullam, 2020 (EI); Dr Áine Mangaoang, 2015-2016 (Fáilte Ireland/Irish Tourism)
To date, Prof. O'Flynn has supervised five PhD graduates to completion, and currently supervises three PhD students.
Research Projects
External Collaborators
Teaching Interests
- film music
- popular music
- sociology of music
- cultural musicology
- ethnography
- choral and instrumental ensembles
- musical techniques
Administration
- International/Erasmus liaison for FHSS music programmes, student exchange and staff mobility
- Module coordinator MC105, MC205, MC305, MC201, MC202, MC318